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If for example, an employee that normally works daytime hours during the week, starts coming into the building on a Sunday night, the employee can be flagged so that security professionals can take a look and see if the changed behavior garners a response.
But, even when the pandemic is long gone, there will definitely be a place in security for these types of technology due to the value they add to an organization.
I want to hear from you. Tell me how we can improve. Maggie Shein is Editor-in-Chief at Security magazine.
She has been writing, editing and creating content for the security industry since She has an experienced background in publishing, communications, content creation and management.
Within her role at Security, Shein handles the overall direction of the brand, organizes and executes the annual conference, facilitates Solutions by Sector webinars, researches and writes exclusive cover stories, manages social media, and authors the monthly Security Talk column.
This month, Security magazine highlights emergency preparedness and natural disaster planning during COVID Also, experts discuss the changing role of security, a new approach to workplace violence prevention, fostering an inclusive environment within the enterprise, future security career challenges and more!
This website requires certain cookies to work and uses other cookies to help you have the best experience. That's really interesting to hear about the creative process that goes into your image.
So, to digress a little, you have just completed a live at the Budokan this year. Last September, you also did a live concert there. What was the biggest difference, experience-wise?
KAI: Definitely. This time around, we know what we are doing and how we are presenting ourselves. We are able to look at ourselves objectively, since it's our second time performing there, and I think that's the biggest difference.
It really applies to all the concerts we did in this tour. At the Yokohama and the Budokan concerts, all of your parents were there amongst the audience.
How did that make you feel? KAI: You mean how it felt to perform in front of our parents? It was a happy experience, it wasn't really like repaying them, but when we first started the band, we had to go through a lot of difficulties and they helped us a lot.
Finally now we are at a place where we can, not just substantially repay them, but emotionally as well, and I am really happy about that.
Was there anything that presented itself as a challenge during your tour this time? KAI: Hmm.. It's not as much of a challenge, being that I think we have discovered new things that we can work on.
When doing a live, we come to know what we are lacking, and what we need to do to change that. So, at the next live, or even at a recording session, we can find ways to overcome the problems.
We basically found new things that we need to work on, and didn't really have much opportunity to face new challenges.
Last summer, you played your first show in Europe. What was that like? KAI: The biggest difference to Japan was that it was unrestricted and had an open feeling, the fans were too, and they show how much they are enjoying the music with their whole body.
To non-Japanese fans, it might be just something natural that they do, but since we'd only done concerts in Japan, it was a quite fresh experience for us.
Surprisingly we felt that it was close to what we expect from our fans, in regards to the relationship and their response.
In that sense, the Japanese fans are a bit more restricted, so I think it's a good thing that the overseas fans don't have that restricted feeling.
Music is not something that you have to think about or consider while listening, right? I think it's meant to be experienced subconsciously.
Was there anything unpleasant, or something that surprised you? KAI: Nothing in particular but, probably food. And sausages. The rice was very different from Japanese rice.
We were surprised. Are you excited about that? KAI: Yes, I am really looking forward to that. It will be your second time to Germany, and first time to London, Paris, and Helsinki.
How do you feel about going to perform in those new places? KAI: Yeah well, this is totally unrelated, but I love soccer, and so does my manager.
KAI: Yes, in elementary school, junior high, and high school. So to me, France is like the holy ground for soccer, so I am really excited about going there.
KAI: Last year we attended ANIMAGIC there, an anime convention, and at the same time we were asked if we would like to perform in Europe.
A bit prior to that, we had already contemplated with the idea of doing concerts overseas, so we took that offer. So after the first time, we already thought that we would like to do more, even though we didn't get the new offers yet.
We talked amongst ourselves that we would like to do lives in more countries. We thought we would like to take any chance possible.
Do you plan on doing tours in other countries, or release CDs there? Sie können übrigens auch an der Verlosung der Glücksspirale teilnehmen, wenn Sie auf dem Spielschein von Lotto 6aus49 oder Eurojackpot ein Kreuz für diese Lotterie setzen.
Die Zahlen der Glücksspirale werden in der Staatlichen Lottoverwaltung in München gezogen. Die Ziehung findet jeden Samstag um Die Ergebnisse werden am gleichen Tag unmittelbar vor der Tagesschau in der ARD um exakt Sie können die Gewinnzahlen der Glücksspirale auch online abrufen.
Die Höhe des Gewinns ist in jeder Gewinnklasse unterschiedlich. Der ausgezahlte Betrag pro Gewinnklasse ist bei jeder Ziehung gleich.
In der höchsten Gewinnklasse wartet eine monatliche Sofortrente von Alternativ kann sich der Glückspilz den Hauptgewinn als Einmalzahlung von 2.
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Die Glücksspirale existiert bereits seit dem 6. November Die Lotterie wurde ursprünglich u. Später kamen Gelder aus der Glücksspirale verschiedenen Institutionen zu Gute.
Die Glücksspirale fördert mehrere gemeinnützige Projekte. Email Print. Tweet Share Share LinkedIn. Stumble Upon.
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